Coco the Poodle and the Pantomime Donkey (Thursday 8 December 2016)
A damp-chilly sort of December day. On the way I window shop the eclectic independent stores and artisan bakeries of Portobello Road and a quick glance at the Joe Strummer mural (“without people you’re nothing”), before heading for Powis Square. We’re merely a pigeon’s hop from Colville Square Gardens (which I drew back in February for ‘Sticks in the Smoke’2), an almost identical, half- acre rectangle. A slight slope down to the south.
Bare plane tree branches tremble over the garden. Accumulations of mulchy leaves on the rough ground. This is a space for play and activity; spread over most of the top half a tarmac ball court with basketball net and goalmouth. The lower end is a playground with swings and slide and climbing nets. Rough concrete sculptural crags with scramble- through holes rise from the undulating ground. And a quirky little bronze of two figures (no indication of the sculptor), constructed from pipes and tubing and machinery parts, an Adam and Eve of the industrial age; lower edges and corners polished to a gleam by years of tiny stroking hands.
This was all farming land (part of the large Portobello Estate, that took its name in honour of the British naval victory at Porto Bello in Panama in 1739) until the mid nineteenth century, when improvements to roads and railway links meant that land values started to increase, luring speculating builders to bid for parcels of prime building land. In 1860, a young entrepreneur, George Tippett bought 25 acres which he reckoned would be most saleable as they were the closest plot to the City. This was quickly turned into a building site which became popularly known as Tippett’s Brick Fields. He built these streets of tall stuccoed terraces to a consistent design, aiming to cram as many properties as possible into the available space while still retaining a sense of elegance which he hoped would appeal to upper middle class families. The centre of the squares were laid out as private gardens with trees and lawns and gravel walks.
Tippett sold some of the houses he had built, but held on to the rest to lease out. His downfall came when, in the 1880s, he found it difficult to persuade many of the genteel leaseholders to renew: put off by the noise and bustle of the growing Portobello Street Market nearby and the influx of tradespeople, manual workers and immigrants which they felt ‘diluted the social tone of the neighbourhood‘. Poor George’s project ended in bankruptcy. His properties were taken on by Colville Estates, who started to subdivide them into flats or leased them as boarding houses or to institutions.
I balance my drawing things on the cross beam of a climbing frame and draw towards the upper part of the garden, and over the road to the Tabernacle Centre (originally an evangelical church built in the 1880s. Opened as the ‘Tab’, a Community Arts Centre and music venue in the 70s, since when it has staged acts including Misty in Roots, Joe Strummer, Brian Eno and Lily Allen). For much of the time there are only four other people in the garden: a father on his phone and his daughter in the playground; a young woman on a bench, wearing stripy fingerless gloves and matching hat, smoking and working at her laptop; and an older woman, dwarfed inside a big blue puffy coat, is throwing a ball for her little tartan jacketed poodle. She calls ‘C’mon Coco, fetch the ball!‘ But Coco ignores the ball and trots purposefully over and starts yapping up at me as I draw. Coco’s owner smiles nervously and apologises and drags the little dog away.
(In his ‘Sticks in the Smoke’ project, Nick Andrew is visiting, researching and drawing a different public park or garden in Central London each week of 2016 and early 2017, leading to a collection of paintings exploring the theme of city green spaces from the perspective of a rural landscape painter. These will be shown in an exhibition in the Curwen Gallery London in April 2017.) www.nickandrew.co.uk
Powis Square Gardens, Notting Hill, London. W11 2BN
Open 7.30am – dusk
Google earth view here